2 Winnipeggers pick up Governor General’s Literary Awards

Niigaan Sinclair’s collection of articles, titled “Winipek: Visions of Canada from an Indigenous Centre,” was initially dismissed as a “regional book” by a Toronto publisher. Sinclair, a Winnipeg-based Anishinaabe columnist and editor, was warned that the book might only attract attention in major urban centers. As expected, the majority of sales came from Manitoba, northwestern Ontario, and Saskatchewan.

However, to Sinclair’s surprise, “Winipek” transcended its geographical boundaries and was awarded the prestigious Governor General’s Literary Award for non-fiction. This recognition affirmed that the book had resonated with readers across the country, not just within its intended region.

The Governor General’s Literary Award winners were announced, with fiction winner Jordan Abel receiving accolades for his novel “Empty Spaces.” Abel, a queer Nisga’a writer from Vancouver, expressed relief that his unconventional approach to storytelling, which eschewed characters and dialogue, had been well-received. The book explored Indigenous relationships with land, displacement, and diaspora, drawing parallels to James Fenimore Cooper’s “The Last of the Mohicans” and its impact on American nationalism.

In addition to Abel’s win, the drama prize went to Calgary’s Caleigh Crow for “There Is Violence and There Is Righteous Violence and There Is Death, or the Born-Again Crow.” The French-to-English translation prize was awarded to Katia Grubisic of Montreal for “Nights Too Short to Dance.”

Sinclair, reflecting on the success of his book, expressed hope that “Winipek” would spark conversations about addressing Indigenous injustice and violence in the region. He emphasized the importance of highlighting the ongoing work being done in Winipek, beyond the more prominent urban centers like Toronto and Montreal.

As discussions around Indigenous issues gain momentum in Canada, Sinclair noted a rise in interest and engagement with Indigenous writing. However, he also acknowledged the presence of a vocal minority of residential school denialists, who seek to undermine Indigenous voices.

Despite the progress made in amplifying Indigenous perspectives, Sinclair emphasized the need to confront and challenge those who attempt to silence Indigenous voices. He highlighted the importance of continuing to push for reconciliation and understanding in Canadian society.

Overall, the recognition of “Winipek” and other award-winning works signals a growing awareness and appreciation for Indigenous storytelling in Canada. These diverse voices play a crucial role in shaping conversations around identity, history, and reconciliation in the country.