Fan petition to get Gracie Abrams to change her opening act may have crossed a line experts say is blurring

Dora Jar, a 28-year-old American singer-songwriter, recently found herself in a whirlwind of controversy after being chosen as the opening act for popstar Gracie Abrams on her European tour. The decision sparked outrage among Abrams’ fans, with a Change.org petition demanding Jar be replaced circulating online. The petition claimed that Jar’s music was too slow-paced and that fans wouldn’t have enough time to familiarize themselves with her work before the tour began.
Despite the backlash, Jar remained unfazed, taking to social media to express her excitement to perform for music-loving and open-hearted fans. She encouraged those who weren’t interested in her music to grab some merch while she performed, but also extended an invitation for them to enjoy her set.
Gracie Abrams herself spoke out against the petition, calling it “wildly uncool and bizarre” and expressing her support for Jar. The incident highlighted the changing dynamic between artists and their fans, raising questions about fan entitlement and the role of fans in shaping an artist’s career.
Being selected as an opening act can be a career-defining opportunity for up-and-coming musicians. Artists like Sabrina Carpenter, Chappell Roan, and even Gracie Abrams herself have benefited from touring with established acts. Canadian music journalist Melissa Vincent pointed out that fans often feel devoted to supporting an opener as they witness their journey to stardom.
Despite the challenges of being an opening act, many artists have found the experience to be invaluable. Singer Charlie Houston, who opened for The Beaches on their American tour, received valuable advice and support from the band. Similarly, Ryland James, who opened for Alessia Cara, gained many fans and valuable experience from the tour.
However, being an opening act is not without its challenges. Jem Aswad, the executive music editor at Variety magazine, described it as a “mixed blessing,” noting that not every show is a roaring success. He highlighted the infamous incident when Jimi Hendrix opened for the Monkees in 1967, which ended in disaster due to a mismatch in musical styles.
In today’s live music landscape, the stakes are higher for both artists and fans. With the high cost of concert tickets, fans expect a memorable and valuable experience. They see concerts as opportunities for content creation and expect each moment to be meticulously planned and executed.
Despite the challenges and controversies, the live music experience remains unpredictable and magical. Melissa Vincent emphasized the importance of surrendering to the possibility of being surprised and transformed by live music. It’s this sense of unpredictability that makes live music so transcendent and life-changing for both artists and fans alike.