Heretic movie: Why holy horror can be a hit
The Intersection of Religion and Horror in Film
In the world of horror movies, there is a new film making waves – “Heretic.” In this chilling tale, Hugh Grant takes on the role of a sinister religious skeptic who traps two missionaries in his house, pushing them to question their faith in a series of terrifying events.
What begins as a mere discussion on religious beliefs soon escalates into a nightmarish ordeal for the two young missionaries from The Church of Jesus Christ of Latter-day Saints. This film highlights the potent blend of religion and horror, showcasing how the two elements can captivate and unsettle audiences.
Stacey Abbott, a film professor at Northumbria University, delves into the significance of “Heretic” and its exploration of religion. She points out how the movie challenges traditional notions of faith, free will, and the patriarchy within religious institutions.
Religion has long been a recurring theme in horror films, particularly Christianity in the U.S. Classic movies like “The Exorcist” and “The Omen” have delved into the supernatural aspects of faith, tapping into existential questions and societal anxieties. Abbott notes that horror serves as a platform for both social critique and a reaffirmation of traditional values.
Brandon Grafius, a Biblical studies professor, highlights the parallel themes of religion and horror in addressing fundamental human concerns such as death and the nature of good versus evil. Christianity, with its dualistic framework, provides rich material for filmmakers to explore these themes and create compelling narratives.
Recent religion-themed horror films like “The Conjuring” franchise and “The First Omen” offer diverse perspectives on the intersection of religion and fear. These movies reflect contemporary debates surrounding religious control and patriarchal structures.
Grant, who portrays the enigmatic Mr. Reed in “Heretic,” shares his personal connection to the character’s skepticism. He admits to enjoying dismantling perceived idols and challenging smugness, a trait that adds depth to his portrayal in the film.
Religion and horror, according to Rev. Ryan Duns, serve as mirrors that confront viewers with unsettling truths and fears. While horror presents a bleak outlook with no definitive resolution, Christianity offers hope and redemption in the face of adversity.
Ti West, known for his work in horror films like “The Sacrament,” incorporates religious themes in his storytelling. He acknowledges the inherent morality present in religion and its universal relevance across cultures, making it a compelling narrative element.
When it comes to blending religion and horror on screen, accuracy and respect are paramount. Lisa Morton, a horror author, praises films like “The Exorcist” for their respectful portrayal of religious themes, emphasizing the importance of authenticity in depicting rituals and symbols.
As the horror genre continues to evolve, filmmakers like Osgood Perkins experiment with religious imagery to create atmospheric and thought-provoking narratives. By drawing inspiration from real-life rituals and beliefs, these films add depth and complexity to their storytelling.
Overall, the fusion of religion and horror in film offers a unique exploration of faith, fear, and the unknown. As audiences grapple with the unsettling truths presented on screen, they are reminded of the enduring power of belief and the mysteries that lie beyond our comprehension.
AP reporter Krysta Fauria contributed to this report.
Associated Press religion coverage receives support through the AP’s collaboration with The Conversation US, with funding from Lilly Endowment Inc. The AP is solely responsible for this content.
