New documentary explores iconic Edmonton dance club Flashback
In the 1980s, Edmonton was known for two main things: the mall and the Oilers. However, filmmaker and journalist Peter Hays shines a light on a third aspect of the city’s culture in his documentary “Flashback,” which will be showcased at the Calgary Underground Film Festival (CUFF) this Saturday. The film explores the story of a dance club called Flashback, which served as a safe haven for queer individuals and their allies.
According to Hays, Edmonton’s cultural landscape was shaped not only by the world’s largest shopping mall and the renowned hockey team but also by the presence of Flashback. The club played a significant role in providing a space for queer youth to express themselves and resist the pervasive homophobia of the time. Matthew Hays, Peter’s younger brother and co-writer of the documentary, shared his personal experiences of finding solace and empowerment at Flashback during a period when being queer was met with societal rejection.
“Flashback” features interviews with individuals who were part of the club’s vibrant scene in the 1970s, 1980s, and early 1990s before its closure in 1991. Notable figures such as playwright Brad Fraser and drag performer Darrin Hagen recount their memories of the club and its impact on Edmonton’s LGBTQ+ community. The challenge for Peter Hays as the director was to convey the story of a nightclub that had been closed for over three decades, in a time before social media and smartphones.
One of the unique aspects of the film is the discovery of the original neon sign from Flashback. The sign, which had survived the club’s closure, was eventually restored and now stands as part of the Edmonton Neon Sign Museum, illuminating the club’s original location on 104 Street. This visual element adds a nostalgic touch to the documentary, allowing viewers to connect with the club’s history.
“Flashback” has garnered attention at various film festivals and received positive feedback for its portrayal of a significant chapter in Edmonton’s cultural history. Peter Hays, who has roots in Calgary, expressed his joy at showcasing the film at the Garneau Cinema in Edmonton, a venue with personal significance to him. The club’s legacy as the Studio 54 of the prairies is highlighted, emphasizing its reputation as a prominent and influential establishment in the club scene.
As “Flashback” makes its debut at CUFF, Peter Hays reflects on the fitting nature of the film being featured at an underground film festival. Just as Flashback was an underground club that provided a space for marginalized communities, the film’s inclusion in CUFF aligns with its theme of resilience and resistance. Audiences can experience the story of Flashback at the Globe Cinema on Saturday afternoon as part of the festival’s lineup.
For more information about “Flashback” and CUFF, visit their respective websites. The documentary offers a poignant look back at a pivotal era in Edmonton’s history, celebrating the spirit of community and empowerment that thrived within the walls of Flashback.
