Cultural exchange between 2 nations brings round dances to Mi’kma’ki

The Mi’kmaw communities of Paqtnkek and Sipekne’katik in Nova Scotia are engaging in a cultural exchange this week, as they learn round dancing from the renowned drum group Northern Cree. This initiative marks the second year of collaboration between the two nations, with Paqtnkek hosting its first round dance last year and Sipekne’katik set to hold its inaugural event this year.

While round dances are not a traditional Mi’kmaw practice, elements of this ceremonial dance are occasionally incorporated into gatherings known as mawiomi. Despite being social events, these round dances are deeply rooted in ceremony, featuring pipe ceremonies, feasts, and dancing that extends into the early hours of the morning.

Bradley Paul, a member of the Mi’kmaw community of Paqtnkek and organizer of the round dance, expressed his gratitude for the opportunity to learn from Northern Cree. The bond between the two groups has strengthened since their cultural exchange last year, with teachings on Mi’kmaw traditions such as the game of waltes, the song and dance of kojua, and a unique salmon harvesting technique practiced by Paqtnkek fishermen.

The round dance in Sipekne’katik is organized by Brian Knockwood, who was inspired by last year’s event and is eager to introduce this new gathering to his community. As a drummer and singer, Knockwood sees the round dance as an opportunity to share songs during the winter months when powwows are less frequent.

Steve Wood, a member of Northern Cree, emphasized the ceremonial significance of round dances, which serve as a way to honor ancestors and connect with departed loved ones. He highlighted the educational aspect of these events, noting that participants have the opportunity to learn language, history, and cultural practices not typically taught in Western classrooms.

Wood also noted the similarities between Mi’kmaw kojua songs and Cree round dancing, emphasizing how both forms of dance bring people together in a social setting. He expressed hope for future collaborations that would allow Mi’kmaq individuals to share their songs and dances with other Indigenous communities across the country.

Overall, the cross-cultural exchange through round dancing serves as a means of fostering connections, preserving traditions, and celebrating the rich cultural heritage of the Mi’kmaw communities in Nova Scotia.