Old-school ‘Fixer’ Thriller relay suffers from a new school turn that even RIZ Ahmed cannot solve
Relay: A Review of the Corporate-Spionage Film
Directed by David Mackenzie, “Relay” is a film that delves into the world of fixers – those enigmatic individuals who are called upon to clean up messy situations that the authorities cannot handle. With a stellar cast including Riz Ahmed, Lily James, and Sam Worthington, this movie takes viewers on a thrilling ride through the underbelly of corporate espionage.
The film follows Ash (Riz Ahmed), a Manhattan fixer who operates in the shadows, using a unique telephone relay system to communicate with his clients. This old-school method allows for complete anonymity, making it the perfect tool for handling sensitive situations. When Ash is contacted by Sarah (Lily James), a pharmaceutical scientist on the run from her former employers, he must use all his skills to outsmart a team of ruthless hitmen.
At first glance, “Relay” seems to draw inspiration from films like “Michael Clayton,” finding tension in the quiet moments of a boardroom or the back of a security van. Director David Mackenzie expertly builds suspense as Ash navigates the dangerous world of corporate intrigue, with standout performances from Ahmed and Worthington.
However, the film takes a disappointing turn in its final act, veering into clichéd action territory that feels out of place with the rest of the story. As Ash is thrust into a high-stakes chase reminiscent of a Jason Bourne film, the narrative loses its emotional depth and leaves viewers wanting more.
Despite its flaws, “Relay” still has moments of brilliance, thanks to Mackenzie’s skilled direction and the strong performances of the cast. While the film may not reach the heights of its predecessors in the fixer genre, it still offers a thrilling ride for fans of espionage thrillers.
Overall, “Relay” is a film that has its moments but ultimately falls short of its potential. With a talented cast and a compelling premise, it’s a shame to see the story veer off course in its final act. For fans of the genre, “Relay” may still be worth a watch, but don’t expect it to revolutionize the world of corporate espionage cinema.
